Posted on February 22, 2012
Setting up an Oil painter’s studio can be a costly affair. It doesn’t have to be. In this post, I give you the basics of setting up your studio, I cover the paints and brushes and mediums I use.
I use a wall easel instead of a regular easel and this frees up floor space. This means I can work on many paintings at a time and also have somewhere to hang them while they are dying. The wall easel slats are cut at an angle so I can hang my painting panels. I also made sure that they are perfectly level.
I cut some wooden blocks shaped at an angle and I attached them to the back of my panel. Just make sure the screws are short and don’t pierce into our painting.
Please Note: The links I have provided are not affiliate links. They are products I love to use.
Lighting: For lighting I use flicker-free 4700k LED’s, high quality lighting. What is so awesome about these lights is it uses very little power and you can paint any time day or night and the light remains consistent and with a high Color Rendering Index. This makes a huge difference in the quality of the light. You can accurately mix colors and paint with confidence. Here is some info about their flicker-free light bulbs
I had an electrician create a circuit of 10 lights for me. I made a sheer cover to mute the light somewhat to prevent glare. I include a couple of clip on lamps for extra lighting if needed.
A Chest of Drawers is handy…This is ideal for placing your computer monitor, your brushes and jars of turpentine/medium, whatever you use.
In the top drawer you can place your tubes of colors in a row all along the width of the drawer. This way you can easily find the colors you need. The next drawer down you could keep paper towels, rags etc. And in the bottom drawer you could store drawing pads and small painting panels.
Palette, brushes, paints and mediums…
I use a cart for my palette and to hang my paints. I attached some wheels so it can easily be moved. I had some glass cut to fit the top perfectly. I tinted my palette with a mix of burnt umber, raw umber and a dash of cadmium orange. I added the orange to counter the blue-green tint of the glass. I used a fast drying white and the umber dry super fast too. It was dry the next day.
When you flip it over, it turns a beautiful gray. This way, you can judge your colors and values more accurately. No surprises when you mix a color with a particular value, you know it’s going to appear the same value on your canvas. If your palette is white and you paint on a tinted canvas, your values won’t be the same as what you mixed. Always keep this in mind.
Brushes : I use Rosemary and co Brushes, the best so far. They are amazing to paint with. The Classics are perfect for laying down paint and the Eclipse flats, filberts and rounds are my favorite and are amazing for smoother passages, and for painting flesh. The Masters choice long flats make great softeners and are ideal for sky and clouds.
Mediums:. I use Natural Pigment’s Oleogel and I love how it handles. It’s easy to use, no mess, no fuss and is solvent free.
I highly recommend Natural Pigments for those who want to use quality oils. Their Rublev oil colors are absolutely fantastic to work with. They are handmade using traditional pigments.
Substrate and Grounds: I paint on wood braced panels I make myself. Size the panel first before applying an Alkyd Lead oil ground. If you do use an acrylic primer, I recommend Liquitex. Just make sure you leave your panels to dry for a month as it takes that long for the water in the primer to evaporate. Otherwise, if you paint on the panel before it’s had time to evaporate, can cause problems.
I don’t recommend painting on stretched canvas. If you do, be sure to size your canvas first BEFORE you paint. I recommend use GAC 100 to seal your canvas.
Paper towel and clean-up… I prefer to use paper towel instead of rags to clean my brushes. I also find that the cheapest brand or even recycled paper towel is best. No lint. Avoid the big fluffy rolls of paper towel. I really like the blue shop towels, they are quite durable.
You can either use odorless mineral spirits or use walnut oil as a brush dip to clean your brushes. Just wipe off the excess paint and dip my brush into walnut oil, don’t swish your brush, just dip it and work it into a paper towel.
My favorite brush cleaner is Murphy’s Soap. I can’t live without it. The best ever! It will even clean off hardened stiff brushes, it’s amazing and totally Non-toxic!
IMPORTANT: Make sure you rinse your brushes off thoroughly with water to remove ALL traces of soap.
There you have it, I hope you found some of my ideas helpful! Best of luck setting up your studio!
Happy painting 😉
Posted on November 10, 2011
It’s Thursday morning – I’m sitting in front of my easel contemplating my day’s work. I had hoped to complete this painting of Amanda’s tea party by the end of Friday. I’m so glad I painted the rest of her skin last night before bed. I stood here, midnight, still some mixtures of flesh paint on my palette. I didnt want to waste it, so I bit the bullet, eyes heavy, and painted her arms and hands. And now….. I’m a happy girl 🙂 Let’s see if I can make my deadline.
I spent some time taking stock of where I’m at and where I’m heading. I’m happy with my progress, although I feel I should be spending a couple more hours a day painting. I do tend to get side tracked. I should be more disciplined. I do tire so easily working on the same piece for too long. So I decided to set up another easel and complete incomplete paintings to break up the monotony. Now to scrape my palette, mix some more paint and then enjoy some yummy java, hippie style 😉